![]() He goes on to name the brand “Balenci’” another 15 times, one of the countless unexpected moments that are not over-thought-the maximized version of the Uzi persona. Uzi and Working On Dying really gel on “POP.” On a beat that sounds like it’s from the dystopian world of The Terminator, Uzi goes on the most intense Soho shopping spree: “I went to the store and got me some Vetements/Pradas and Balenci’, Balenci’, Balenci’,” he says like his voice is near-breaking. Uzi switches flows with ease, takes pauses that feel like a sudden pull of the emergency brake, and finishes every line with a high-pitch squeal that rivals Future on “ King’s Dead.” “You Better Move” is similar, as Uzi fires off puns referencing forgotten pop culture tokens from his past-Blue Eyes White Dragon, Zoom, a Microsoft Zune-over a freakish Working On Dying beat, sampling sounds from “Space Cadet 3D Pinball,” which used to come pre-loaded with Windows. “She look good, but she wear Fashion Nova/Took her shoppin’, put her right in some Vetements,” says Uzi, like every line is stepping on the one before it. On “Silly Watch,” Uzi’s pace is relentless: It’s like sitting in the passenger seat while Uzi, head barely over the steering wheel, cruises into triple digits. He has always been capable, but much of his breakout mixtapes took a bright and singsongy approach to pair with his lovestruck personality. Uzi is not just compiling a list of brands he paints colorful scenes down to the specificity of his Air Forces or a tag on his beanie. The album is 18 Lil Uzi songs about money, the luxury that money buys, the girls attracted to that luxury, and the heartache brought on by those girls, a feeling that has always inspired his music. A high-stakes feat, accomplished through a creative kinship with the Philly production collective Working On Dying and Uzi’s increased attention to detail-in the world of Eternal Atake, every spaced-out sample is just as important as any animated punchline.Įternal Atake has a loose concept-something about abductions, aliens, and space, alluded to with a few skits and an album trailer-but none of that really matters. It’s a seamless blend of drill-influenced rapping, melodic crooning, and beats that are aware of hip-hop’s trends, but stretch them to places unimaginable. Eternal Atake is Uzi’s greatest album to date, a scope-defying hour-long epic that couldn’t be made by anyone else. The expectations were otherworldly.Īnd somehow, Uzi met those expectations. ![]() ![]() It became known by fans as the Uzi opus forever locked away by greedy label heads, but, if it ever did find its way out into the world, it would be a landmark moment for an entire generation. In the meantime, while Uzi beefed with a suicide cult, squared up with Rich the Kid in a coffee shop, had a short-lived retirement, and became a semi-professional Triller dancer, his delayed third album, Eternal Atake, developed a mythical aura. Beginning in January 2018, Uzi began to vaguely hint that his Generation Now label bosses DJ Drama and Don Cannon were preventing him from releasing new music-he only dropped one solo song in 2018. Shortly after the release of Luv Is Rage 2, the 2017 album that made Uzi a star, he entered label purgatory. But in the last two years, Lil Uzi Vert songs have become scarce.
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